Hannover Recorder 1
Data: 27 November 1970 Miejsce: Niedersachsenhalle, Hannover, West Germany |
CD 1 1. Astronomy Domine 2. Fat Old Sun 3. Cymbaline 4. Corrosion 5. Embryo CD 2 1. Atom Heart Mother 2. Green Is The Colour 3. Careful With That Axe, Eugene 4. Set The Controls For The Heart Of The Sun 5. A Saucerful Of Screts |
This is a really nice copy of an inspired performance.
You may recall my explanation of the date for this
concert when I transferred the Recorder 2 ‘Hoka tape’ in February 2012. Back
then I explained how ‘T136' and all the other tapes collectors have listed as
1970-11-14 should be re-labelled Recorder 1, Hannover 1970-11-27.
The 'T136' reel to reel transfer is probably the
source of most people's copies of Recorder 1 from the late 1970's onwards. Tapes
back then were typically labelled as Hamburg or Germany 1970. The latter was the
most common listing for the date. Stratcat58’s source labelled his tapes as ‘Hannover
7/70’ so was half right. There was a time when no date for a show from Hamburg
at the end of 1970 was known. It was speculated that the tape was from Hannover
instead but this did not stick when in the 1990s newspaper reviews, adverts,
posters and ticket stubs from the Hamburg show were discovered. A number of old
tapers agreed that Hamburg was the most likely source of the recording and
everybody fell into line. It transpired that a Deep Purple fan was Recorder 1
and he was able to confirm the correct date and venue.
The ’T136’ version has more content than Stracat58’s
tape, commencing with the opening second or two which is missing from the
introduction to Astronomy Domime. However, the T recording is NR’d and/or EQ’d,
presumably to reduce hiss. My transfer has the trademark openness and presence I
get from my deck, along with really nice levels of detail. Having said this,
there are points where T136 is equally good. There’s little doubt in my mind
that the T version is lower gen and it would be superior to Stratcat58’s tapes
if it was freshly transferred.
You may notice the sound of a reel-to-reel starting
from time to time on my transfer. The noises have been retained to demonstrate
its presence in the lineage and how the source is different to ‘T136’.
I made various analogue domain adjustments to the levels to prevent clipping and
bring the channels into harmony. The right channel is stronger for most of the
recording but I resisted the temptation to drop the left because it contributes.
At various points Stratcat’s tape is recorded well into the red - I observed
+8dB during AHM for example. The tapes were marked as Dolby On and I left it off
for playback.
The songs are split across four sides (90 minute
cassette followed by 60 minute) as follows: A 01-03, B 04-06, C 07-09 and D 10.
There is a small repeat between 09 & 10 which I have left in.
Sides A & B averaged at about 1.16% slow (there may
be slight variations) and sides C & D are 0.58% fast. My thanks to goldenband
for his speed correction advice. Often with such small changes a speed
correction is not merited but on testing the results I found it does make a
positive difference.
Our last lines go to Roger: “My Lords, Ladies and
Gentlemen. On my right, in the all red kit, The Massed Gadgets of Hercules. In
the right corner in the all black kit, The Knights Of The Teutonic Order!” After
listening to this concert, I recommend following it with the next night,
Saarbrucken 1970-11-28, when the band were on similar form.
Stratcat58 cassette / Neonknight tape transfer and speed adjustments, April 2014
Dodano: 5.2.2017